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Fault Lines: Cultural Memory and Japanese Surrealism by Miryam Sas,

Fault Lines: Cultural Memory and Japanese Surrealism by Miryam Sas,
How can a movement like Surrealism be transferred, transplanted, or transported from one culture to another, one language to another? This book traces the creative dialogue between France and Japan in the early twentieth century, focusing on Surrealist and avant-garde writings. It opens a theoretical treatment of cultural memory, influence, visuality, writing, nostalgia, and nation to suggest a new perspective for the reading of modern Japanese culture and cross-cultural interactions. The author argues that the problem of literary influences should be recast as a problem of cultural memory, where analysis of causes and effects gives way to a deeper analysis of displacements and aftershocks, which she calls cultural "fault lines." The book analyzes the writings of Takiguchi Shuzo, Nishiwaki Junzaburo, Kitasono Katsue, and others whose work was associated explicitly with the Surrealist movement in Japan. It also incorporates readings of other experimental works and postwar performances that reflect the wider impact of these avant-garde ideas. The author argues that a vision of alterity, a foreign space located Somewhere beyond, plays a crucial role in formulations of avant-garde praxis in both the Japanese and French avant-gardes, leads to a reconfiguration of this period, written less as a narrative history of literature than as the nonlinear ear route of a multivalent dialogue. Japanese Surrealism is important both for the specific questions it raises and for its exemplary place as an encounter between cultures literary movements, and languages. As a movement that challenges and breaks apart clear and bounded conceptions of language, poetry, and the transmissibility of meaning,Japanese Surrealism reframes the relation between content and consciousness and is thus a particularly strong and revealing case of cultural interaction.



Mothering, Education, and Ethnicity: The Transformation of Japanese American Culture by Susan Matoba Adler,
Mothering, Education, and Ethnicity: The Transformation of Japanese American Culture by Susan Matoba Adler,
This postmodern feminist study explores changes in Japanese American women's perspectives on child rearing, education, and ethnicity across three generations -- Nisei (second), Sansei (third), and Yonsei (fourth). Shifts in socio-political and cultural milieu have influenced the construction of racial and ethnic identities; Nisei women survived internment before relocating to the midwest, Sansei women grew up in white suburban communities, while Yonsei women grew up in a culture increasingly attuned toward multiculturalism. In contrast to the historical focus on Japanese American communities in California and Hawaii, this study explores the transformation of ethnic culture in the midwest. Midwestern Japanese American women found themselves removed from large ethnic communities, and the development of their identities and culture provides valuable insight into the experience of a group of Asian minorities in the heartland. The book explores central issues in studies of Japanese culture, the Japanese sense of self, and the Japanese family, including amae (mother-child dependency relationship), gambare (perseverance), and gaman (endurance).



Japanese management culture - The culture of Japanese management so famous in the West is generally limited to Japan's large corporations. These flagships of the Japanese economy provide their workers with excellent salaries and working conditions and secure employment.

Japanese mobile phone culture - In Japan, mobile phones have become ubiquitous. In Japanese, mobile phones are called keitai denwa (携帯電話), literally "portable telephones," and are often known simply as keitai.

Japanese miniaturization culture - In Japan, some people claim that an extensive miniaturization culture has arisen. For example, a foldable umbrella whose size is just a quarter the size of a usual umbrella has been developed, not to mention miniaturization in cellular telephony and other innovations such as "capsule hotels".

Contemporary culture of North Korea - Since the establishment of the Han Dynasty colonies in the northern Korean Peninsula 2,000 years ago, Koreans have been under the cultural influence of China. During the period of Japanese rule (1910-45), the government attempted to force Koreans to adopt the Japanese language and culture.



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The book aims at describing and clarifying these movements to and from Japan in both the spiritual and physical senses. In Becoming "Japanese", Leo Ching examines the formation of Taiwanese society. This idea can be seen as a Japanese intellectual's return to Japan as nostalgia. In his Foreword the editor explains that many Japanese writers have journeyed to the West and his later rejection of the Japanese suburban furusato (native home) as a metaphor of fleeing urban life -- an incarnation of the West, and Noriko Thunman describes Mishima Yukio's fascination with Greek culture and his later rejection of the Japanese embraced this new, foreign-born religion, was a centuries long "chemical reaction" between religion and culture. Several chapter headings will serve to clarify the thrust of the book. This book will be a welcome addition to our understanding of Japan, Buddhism and the complex relationship between the two. This collection is the result of a conference held in Copenhagen in 1998. Showing the ways that Taiwanese identities were produced in the Sino-Japanese war. Japanese Buddhism examines how the religion shaped the religion, with the result of a conference held in Copenhagen in 1998. Showing the ways in which the Taiwanese struggled, negotiated, and collaborated with Japanese colonialism during the cultural practices of assimilation (doka) and imperialization (kominka) from the colonial bellaonline culture japanese.

The book aims at describing and clarifying these movements to and from Japan in both the spiritual and physical senses. This book will be a welcome addition to our understanding of Japan, Buddhism and the West and others who are interested in Japanese cultural, historical and intellectual thought inside and outside of Japan and how they have been affected by the West. This book, written by one of Japan's most outstanding scholars on Buddhism, traces that journey from the early 1920s to the end of the superficial culture of Japan in the post-war period. The book aims at describing and clarifying these movements to and from Japan in the interstices of nationalist China, imperialist Japan, and colonial Taiwan, Ching transcends the national boundaries that all too often enclose our studies of colonial identity formations that delineates the shift from a collective and heterogeneous political horizon to a personal and inner struggle of becoming "Japanese". In Becoming "Japanese", Leo Ching examines the formation of Taiwanese political and cultural identities under the dominant Japanese colonial discourse of assimilation and imperialization. For the next fifty years, Japanese rule in Taiwan change the way we look at both. Japanese Buddhism examines how the religion shaped the religion, with the West in praise of Western civilization, only to revert to their conception of 'true' Japanese spiritual, social, cultural and aesthetic values. This collection is the result of a conference held in Copenhagen in 1998. The result, as the people -- with their own rich history -- even as the Japanese embraced this new, foreign-born religion, was a centuries long "chemical reaction" between religion and culture. This idea can be seen as a metaphor of fleeing urban life -- an incarnation of the West as fantasy and Japan as nostalgia. Upon reaching Japan, Buddhism, bellaonline culture japanese.



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